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Beautifully-shot, War Horse feels both old fashioned as well as contemporary and its epic scale works brilliantly in its favour.
Less an involving biopic, more an underdeveloped sketch of an elderly woman struggling towards the end of her life, The Iron Lady flicks between events in her past and Margaret Thatcher in the present day.
Subtitled movies aren’t everyone’s cup of wet brown stuff, and if they’re black and white and silent too – and not even a well-loved classic – they’re even less likely to hit the spot.
The string of visually striking fight sequences can’t save a film set against a dull seen-it-before espionage plot that is thinly developed.